‘Bugonia’ Director Yorgos Lanthimos Chooses VistaVision for Next Project

Yorgos Lanthimos utilized a functioning VistaVision camera for his upcoming film, "One Battle After Another," with production commencing in early 2024. The 1950s-era camera, known for its high resolution and wide frame, presents significant challenges, particularly in reliability and handling.
According to industry insiders, the Wilcam 11 VistaVision camera’s weight and operational difficulties led to its exclusion from major productions for decades. Previously, Lanthimos used modern techniques in films like "The Favourite" (2018) and "Dogtooth" (2009), showcasing his adaptability in diverse filming environments. This marks a notable pivot in his directorial approach.
Lanthimos explained his choice in a recent interview: "I want to push the boundaries of what we consider cinema. Sometimes, that involves using tools that challenge us." His statement reflects a broader trend in indie filmmaking where directors explore vintage technologies for their unique visual language. Similar to when Quentin Tarantino utilized 70mm film in "The Hateful Eight" (2015), Lanthimos is advocating for a distinct aesthetic.
In cost terms, utilizing the VistaVision is not insignificant. Productions using contemporary digital cameras benefit from reduced costs and increased efficiency. However, this pursuit of unique cinematic experiences describes a shift where directors prioritize artistic vision over convenience. Sources say that the decision aligns with Lanthimos's commitment to surrealism and profound thematic explorations in his work.
This endeavor connects to past incidents, such as Robert Rodriguez’s use of a VHS camera for "El Mariachi" (1992), where limitations led to innovative storytelling techniques. Like Rodriguez, Lanthimos embraces the idea that constraints can foster creativity.
The film, starring Emma Stone and co-produced by A24, is expected to premiere at the Cannes Film Festival in 2025. Notably, Lanthimos also has an upcoming project, a remake of the classic "Frankenstein," scheduled for 2025, showcasing his multifaceted creative direction.
In summary, Lanthimos's choice to utilize a barely functioning VistaVision camera exemplifies his quest for innovation within the cinematic form. As technologies evolve, the decision to embrace vintage tools not only contributes to the artistic conversation but also reflects a larger industry movement towards authenticity in filmmaking.
Expect more from Lanthimos as he continues to challenge standard filmmaking practices while preparing for his next projects and maintaining relevance in a rapidly changing industry.
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